78 Royalty-Free Audio Tracks for "Large Hall"

Club live concert dj deejay edm peoples crowd chats party techno house music atmo atmosphere reverb noise hall. I transformed my own music into a party atmosphere with people, noise, reverb.

A woman walking in a large hall towards the exit, she opens the metal door with a loud squaeking sound, the door shuts with a loud bang, other woman walk in.

A woman in high heels runs a few steps (approaching) then slows to a walk (leaving). Setting is a large marble hall. 96/24 monaural recording. No attribution: i explicitly give permission to use this sound without attribution.

Atmos recording for radio film's (radiofilm. Co. Uk) series: the reclaimershttps://www. Bbc. Co. Uk/programmes/w27vqhg7/episodes/player. (this atmos recordings is public domain).

Large audience rhythmical clapping. Finlandia hall helsinki. November 2016. Just a poorly recorded file from a cell phone but when you need a sound it doesn't matter too much. We know how to fix it and make it work.

Ambience noisy crowd in large terminal room at the airport,5. 1 sound.

Opening and closing a large sliding garage type door at the loading dock to the building my studio is in. Recorded with a shure sm7b by running 100ft of xlr cables down the hall from studio to door.

Stereo recording made in the generator hall of tate modern between exhibitions. The end of the hall furthest from the entrance was empty, so i ran the recorder for a couple of minutes just to sample the reverberation. Because it is a school holiday in the uk, there were large numbers of children in the gallery, especially on the upper deck bridge about 25m from the recorder, and their voices are higher pitched and their behaviour extrovert. The space is large, so the echoes give a lot of atmosphere. Recorded on zoom h2. Transferred to audacity and high pass filter with breakpoint of 180hz used (12db/octave) to remove the hum that is prevalent at this site. +6db of amplification used, so peaks at -18dbfs.

Atmo of the portico of the national gallery in london. Lots of visitors from all over the world pass by, talking loudly. Recorded with a zoom h-2, mics set to 90° dispersion.

[computer_room. Wav]. Corridor. This sound can for example be used in horror scenes, for example when it's quiet and dark with no one around - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Beijing the imperial palace hall beat copper cylinder sound10 large uranium cylinder qianqing outside on both sides of the eye-catching. The large copper cylinder glittering, against the red wall under the red line, rich hall after the emperor, gas blood is very strong. However, these large copper cylinder and the big iron old palace was not installed hungry activities, fire appliances but for water storage. Cylinder usually note huang wang water, ready to fire. In winter, was to prevent freezing, exclusive interior palace eunuch in charge of in cylinder jacket insulation and affix the colonel wind sleeve, cylinder bottom also ene charcoal fire, until the next spring when the withdrawal of the fire. After the establishment of the imperial palace museum, in order to prevent the water in the cylinder, cylinder bottom leakage holes are drilled. These large cylinder, bronze and cast iron for the ming dynasty. Gold casting in a copper cylinder are in the qing dynasty.

Mixed voices chattering in the cavernous open lobby of a multifloor medical building. One woman coughs repeatedly. Later a man laughs. Towards the end a door clicks open. Please enjoy this sample -- i got sick with a cold from recording it (probably thanks to the coughing lady).

Ambient recording of a sweeping vehicle driving through a parking garage in the city center of leipzig/germany. This file is part of the sample pack "garage"recording was done with a zoom h2 using the internal mics with a 90° angle.

Impact of a metal missile thrown against a window. First the windows doesn't brake and you ear the sound of the metal on the floor. Then it beaks and you ear the pieces of glass heating the floor. Large hall natural reverberation. France, 2006. Recorded with schoeps ab ortfrecorded on sounddevice 744twave stereo, 16 bits 48khz.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

An mp3 recording of a large crowd talking and chatting while instruments are warming up - the overall effect is a rather dissonant cacophony. This recording was taken during a performance at the colorado symphony on january 28th (2017). Recorded with a black sony ic voice recorder.

Explosion sound. The explosion sound was a mixture of a the initial explosion, the a wind sound that may be heard when there is an explosion and the rumble effect that would also be picked up on. I had to re sample all of these separate operator sounds and then put the audio track in a sampler the add some final touches. These included large hall reverb and utility for the large impact explosion and rumble sound as well as panning, reverb and delay for the wind sound to give it the effect of traveling around a surrounding area with the sound slowly decaying.

A clean raw stereo recording of about a thousand people chatting with each other. No distinct dialogue. Recorded in stereo on an h4n. The microphone was at a far distance from the crowd, so this would be suitable for any scene where you need a crowd to be in the next room or some such. There might be minimal handling noise.

Ambient recording of the 2nd exhibition level of the "museum der bildenden künste" (museum of art) in leipzig/germany. Voices can be heard in the far distance, along with the rythmic ticking of the hydraulically powered art-installation "heart of a mountain". This file is part of the sample-pack "muzeum"recording was conducted with a zoom h2 with the internal mics set to 90° dispersion.

Please read full description. Sony ecm-ms907 microphone and a minidisc recorder probably used. Most likely recorded somewhere in brighton, uk;. . Please let me know if you use my sound, and what for. I would interest me and satisfy my curiosity as i'm a curious sort of person. I've designated this as public domain / cc0, however. . . . . . If you feel my sound/s is/are quite significant for a significant project, it would also be nice if you gave credit and a link if it's practical to do so. Www. Freesound. Org/people/muel2002/.

An old guitar recording that served as a sample to my music track dreaming of places that don't exist ( https://soundcloud. Com/headshock-1/dreaming-of-places-that-dont-exist). Direct recording of my jackson sl-3 soloist electric guitar through a line 6 pod x3, using its internal reverb effects. (large hall reverb with decay at 99%, or maybe even 100% for that endless washed out effect).

This is a recording of applause at the end of the concert in a large auditorium. The conductor and performers walk off and on stage for multiple bows throughout. This is recorded with a small field recorder from a seat in the audience. The file politely clips in parts as people near me clapped, but it's not noticeable. The cough in the beginning is easily cut out, the file loops really well, so you can just delete that section, and it will sound continuous.

A clean raw stereo recording of about a thousand people chatting with each other. No distinct dialogue. Recorded in stereo on an h4n. The microphone was positioned about 20 feet above and to the side of the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

A clean raw stereo recording of a about a thousand people chatting with each other. Almost no distinct dialogue. Recorded in stereo on an h4n. The microphone was positioned on the side of the crowd, close but not in the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

In a room full of whirring machinery, a small robot and a very large robot use beeps to sing a duet: “hine, e hine”, written by the princess te rangipae (fannie rose howie/pane poata - te whanau-a-apanui, ngati porou) in 1905. Made with the freesound samples:. “3beeps” by pera - https://freesound. Org/people/pera/sounds/56229/ (cc0)“thailand room tone hotel open hall common area with air conditioning, fan, and distant traffic bassy echoey resonant through wall. Flac” by - https://freesound. Org/people/kyles/sounds/177721/ (cc0).

Stereo ambience of people passing by at the kulturforum in berlin. This is a large open concrete space next to the berlin philharmonic hall. It's a warm summer evening and the berlin philharmonics have just finished an open air concert. The recording starts about 15 minutes after the end of the concert while everyone is leaving the place, maybe about 1000-1500 people. The crowd is generally in a happy and talkative mood. There are lots of international folks and tourists, so you'll not only hear german, but also english and lots of other languages. After six minutes or so there is also a police siren in the background. Recorded with a zoom h6 (xy mics). In the same pack there is also a second recording starting directly at the end of the concert with people applauding. It is can be found here.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.